Friday, December 30, 2016

How to be Cool: An Interview with Ben Tanzer

Ben Tanzer is a regular alumni of this blog, and I'm so excited to bring you another interview with the master storyteller, this time on the eve of the release of his new book, Be Cool, which happens to be my favorite of his. Read on as Tanzer and I discuss everything from dreams, to publishing, to, finally, how to be cool. Cheers!
http://tanzerben.com/

Steph Post: Be Cool is the third book of yours I’ve read over the past two years and I believe the fourth book (fifth?) to be released in the past three. You’ve now officially become my most interviewed author! Before getting into Be Cool, I just have to ask how you’ve managed to get so many words out to the world in so short a time. Are you just naturally a fast writer with a lot to say or is this merely a product of publishing circumstance?

Ben Tanzer: I feel like I should begin with an apology. That is a lot of Tanzer book and interview. There must be a vaccine of some kind to prevent that, right? As to your actual question, I doubt there is a remotely humble way to respond, but it’s a both…and. Or, a both…and…and not exactly. I’m not an especially fast writer, but I write nearly every day, I rarely get stuck, and the words do pile-up. They are also intensely focused words in that I always know where they are going because in my head I’m always building towards something, whether that’s a potential novel or a collection. So on the one hand, there is that pile-up, but there were also the years where the words were piling-up, just not necessarily finding a home. Now sometimes they do. Even when they do though, some things come out when planned, like Lost in Space or The New York Stories, and some things get delayed for whatever reasons like Orphans or SEX AND DEATH. So, there is circumstance too. And yes, many words.

https://www.amazon.com/Sex-Death-Ben-Tanzer/dp/1934513504


SP: When I read Sex and Death, I was sure that it would always be my favorite work of yours, but, to be honest, Be Cool has quite eclipsed that collection in my mind. Be Cool is classified as a “Memoir (sort of),” but I’m not sure what part of it doesn’t fit into the memoir category. Are there any parts of Be Cool that aren’t true? Or does this parenthetical addendum refer more to the structure of the book?

BT: You’re very kind Steph Post and this is a great question. I conceived Be Cool as an essay collection. I developed a list of ideas for essays I might write and wrote them one by one as the moment struck me that it was time to do so. I didn’t visualize the essays as connected per se, or as having an arc, just that somehow my tragic desire to be cool would inhabit the pages. But when I organized the essays and talked about them with my mother, they seemed to hang together by decade, and when I submitted the collection to the publisher, he said, it reads like a memoir, sort of, and I said if that helps with marketing, cool, and here we are. So, it is categorical. But it is also all lies, as well as damned lies, and obfuscations. Of course.

SP: As with all of your work, your specific and unique, and very personal, voice rings true in Be Cool. You directly engage with the reader, almost in a one-sided conversation. You always refer to “you,” who is, I take it, the reader. Do you have anyone specific in mind that fills the role of “reader” for you? Is this “you” directed at any one person or group of people?

BT: My father was a painter and he would always say that an artist has to understand their niche and direct their work towards that niche. He never really figured out his niche, however, and I have chosen to ignore this advice, in what I can only imagine qualifies as a wholly unwarranted repudiation of my father’s memory. Which is to say, that I never try to define, or even imagine, an audience. The “you” I write to is whoever you are that somehow found the book and by extension found me. Now, that may very well be why I don’t have more readers. Nor do I assume this is any way to be successful, and by that I mean actual sales, and some kind of notoriety among some set of the public and my fellow authors. None of which I’m opposed to, I should add. I just haven’t been quite able to figure it out and apparently have been unwilling to truly think about it.

SP: I’m actually quite fascinated with the memoir genre, though I have only written one, very short, memoir-ish piece which I don’t ever plan to publish. I noticed that you included dreams in Be Cool. Not to get too philosophical, but how much are dreams really part of our memories? How much do they contribute to our identity and how we want to present ourselves in the world?

BT: I am the product of both an artist and a psychotherapist, and as a result of the latter, I have had to talk about my dreams since I was a child. I believe that dreams play a significant role in both our attaining some level of understanding about our waking lives, as well as a potentially enhanced self-awareness about who we are and what makes us tick. All of which would seem to serve writers well as they plumb the various layers of story and character before them. How dreams truly contribute to memory or identity would make a good paper, but I think what’s important in the context of this discussion, is the idea that our dreams involve the threads and events in our lives that we struggle to make sense of during our waking lives, and may even actively seek to avoid, but still bubble-up from our unconscious and find room to roam and expand while we sleep. The challenge is to consciously ask ourselves what these dreams may mean, what they say about us and then decide what to do with the information. 

SP: As with your short stories, the themes and topics in Be Cool seem to range from one end of the universe to the other and have no boundaries. Is there anything that you consider to be too personal to write about? Is anything taboo for you?

BT: When it comes to myself, I don’t really consider anything too personal to write about or too taboo. Fiction is different in its way, because I wouldn’t want to offend anyone by tackling a storyline I can’t speak some kind of truth to. For example, child sexual abuse. I know the science from my working life and I have personal relationships with survivors, but outside of threads that tackle the theme in the ways it has impacted me, I would never attempt to go too in-depth on this topic. However, when the characters, and their characterizations, feel truthful to me, or authentic, I will write about them regardless of taboo. With nonfiction, I am endlessly embarrassed by things about myself that I would hate to discuss in person, but as a writer I feel a certain responsibility to the handful of readers I can claim as mine, to be as authentic as possible. Now that said, I will not write about anything my children consider to be their secrets, or that would especially upset my wife or mom. The former feels fairly black and white, and the latter generally does, but I will ask my wife or mom from time to time if they’re okay seeing something in print, and if they aren’t, I will set it aside. My desire for truth certainly doesn’t need to come at their expense.

SP: In writing about your high school years you say, “The real world- school, parents, the endless effort to be cool- may have constantly encroached on me everywhere else, but not on the track.” Obviously Be Cool deals with the idea of being “cool” and as both a high school teacher and a writer, this is something I encounter every day. Both teenagers and authors seem to be obsessed with being cool, but maybe the struggle applies to everyone. Do you have a personal idea about what it means to “be cool?”

BT: I’ve been thinking a lot about this since I finished the book, and my definition has certainly changed over time, but I really believe, for now anyway, that being cool is all about being your truest self, even when embarrassing, or at the risk of not fitting-in. Owning who you want to be, and living it, is when you are happiest and most productive, and people, some people, your people, respond to you, and what you are, and nothing is ultimately cooler than that. Know yourself, love yourself, be yourself. The people who can do that, are always the coolest, even when it takes some time for the universe to catch-up with them.
https://www.amazon.com/Be-Cool-Ben-Tanzer/dp/0991065786/ref=sr_1_1?ie=UTF8&qid=1483111896&sr=8-1&keywords=be+cool+ben+tanzer

Be Cool will be released from Dock Street Press on February 1st. Be sure to Pre-Order it today! And many thanks, as always, to Ben Tanzer for stopping by. Happy Reading!

Friday, December 23, 2016

Steph's Spring 2017 Book Preview!

Get out your calendars and your To-Be-Read lists, folks. These are the books that need to be on your radar for the first half of 2017!
 
 
 

WORLD, CHASE ME DOWN
by Andrew Hilleman
January
 
 
 
THE NEON LIGHTS ARE VEINS
by Nolan Knight
January
 
 
 
MASSIVE CLEANSING FIRE
by Dave Housley
February
 
 
 
THE RIVER OF KINGS
by Taylor Brown
March
 
 
 
VESSEL AND SOLSVART
by Berit Ellingsen
March
 
 
 
GOODBYE DAYS
by Jeff Zentner
March
 
 
 

 
THE WEIGHT OF THE WORLD
by David Joy
March
 
 
 
IMAGINE WANTING ONLY THIS
by Kristen Radtke
April
(Available for Pre-Order)


DANGEROUS ENDS
by Alex Segura
April
 
 
SUNSHINE STATE
by Sarah Gerard
April
 
 
THE MEASURE OF THE MOON
by Lisa Preston
April
 
 


CITY OF ANGELS
by Kristi Belcamino
May
 
 
THE DEVIL AT YOUR DOOR
by Eric Beetner
May
 
 
THE LOCKPICKER
by Leonard Chang
May
 
  

THE GYPSY MOTH SUMMER
by Julia Fierro
June


 
 
 
 
 
 
Also.....
 
SIRENS by Joshua Mohr (January)
BOOK OF MUTTER by Kate Zambreno (February)
CROSSED BONES by S.W. Lauden (March)
DREAMLIVES OF DEBRIS by Lance Olsen (April)
WHAT TO DO ABOUT THE SOLOMANS by Bethany Ball (April)
A NEGRO AND AN OFAY by Danny Gardner (May)
A SMALL REVOLUTION by Jimin Han (May)
INVISIBLE DEAD by Sam Wiebe (May)
CAST THE FIRST STONE  by James W. Ziskin (June)
HE SAID/SHE SAID by Erin Kelly (June)
 
A CONSPIRACY OF RAVENS by Terrence McCauley (Forthcoming)
AN OASIS OF HORROR IN A DESERT OF BOREDOM by Johnathan Russell Clark
(Forthcoming)
BLACKY JAGUAR AGAINST THE COOL CLUX CULT by Angel Colon (Forthcoming)
 






Monday, December 19, 2016

Do Some Damage- 2016 Book Wrap-Up

Many thanks to Eric Beetner and Holly West for discussing A Tree Born Crooked during their end of the year book discussion. "Southern noir done right." And Lightwood makes an appearance in their conversation as well.


http://www.dosomedamage.com/2016/12/virtual-lunch-eric-hollys-2016-book.html


If you're looking for crime novel recommendations, this is the list for you!

Saturday, December 10, 2016

Lightwood Drops in One Month!

Yes, you heard right. My second novel, Lightwood, will be hitting shelves exactly one month from now on January 10th, 2017.



So, here's a little bit of self-promotion for your Saturday morning enjoyment...

Pre-orders for Lightwood are up and running on Amazon! Now would be the perfect time to go and click. What else are you going to do with all of those stocking stuffer Amazon gift cards?

https://www.amazon.com/Lightwood-Steph-Post/dp/1943818304/ref=sr_1_1?ie=UTF8&qid=1481380736&sr=8-1&keywords=lightwood


Lightwood is up on Goodreads! Another easy click on the "Want to Read" button. If you scored an advanced copy, now would be a great time to swing by Goodreads and leave a review as well.

https://www.goodreads.com/book/show/30316211-lightwood?from_search=true



Much, much gratitude in advance.... Books mean nothing without readers. And authors can go  nowhere without support. Everything is appreciated.




Monday, December 5, 2016

Steph's Spectacular 2016 End Of The Year Book List Extravaganza!

It's that time of year. You know, holidays, stress, excessive drinking, mental and emotional breakdowns and.... End of the Year Book Lists! So today I bring you:

Steph's Magnificent, Spectacular, Unparalleled List of the most Amazing and Astonishing Books of 2016.
(I really wanted to make my list stand out this year :)


 

But wait, there's more..... We have AWARDS! Hold on to your hats, folks- here we go....


Lily and the Octopus by Steven Rowley
Award: Most Heart
Superlative: Book Most Likely To Make You Ugly Cry


Fallen Land by Taylor Brown
Award: Best Language
Superlative: Book Most Likely To Make You Envious (if you are a writer)
 
 
Leadfoot by Eric Beetner
Award: Most Badass Character
Superlative: Book Most Likely To Get You Arrested
 
 
Marrow Island by Alexis M. Smith
Award: Best Ending
Superlative: Book Most Likely To Make You Never Do Mushrooms
 
 
You Will Know Me by Megan Abbott
Award: Best Tension
Superlative: Book Most Likely To Make You Feel Better About Chilling On The Couch Instead Of Hitting The Gym
 
 
No Man's Wild Laura by Beth Gilstrap
Award: Best Voice
Superlative: Book Most Likely To Make You Pour Yourself A Shot Of Whiskey
 
 
Maybe Mermaid and Robots are Lonely by Matthew Fogarty
Award: Best Flash Fiction
Superlative: Book Most Likely To Make You Smile
 
 
Red Right Hand by Chris Holm
Award: Best Thriller
Superlative: Book Most Likely To Make You Listen To Nick Cave On Repeat


Nothing Short of Dying by Erik Storey
Award: Best First Chapter
Superlative: Book Most Likely To Make You Want To Learn Wilderness Survival Skills
 
 
The Serpent King by Jeff Zetner
Award: Best YA Fiction
Superlative: Book Most Likely To Make You Thankful You're No Longer A Teenager
 


Honorable Mentions!
(Books I Haven't Read Yet, But Really Want To!)
 
 
 
 
 
Other Books!
(Books I Really Enjoyed This Year And You Should Definitely Check Out Pronto But I'm Running Out Of Steam Here....)
 
City of Rose AND South Village by Rob Hart (both are awesome)
The Universal Physics of Escape by Elizabeth Gonzalez
This is Not a Confession by David Olimpio
The Other One by Hasanthika Sirisena
Hoopty Time Machines by Christopher DeWan
Where We Go When All We Were Is Gone by Sequoia Nagamatsu
The Nix by Nathan Hill
 
 
Looking Ahead!
(Books Coming Out In Early 2017 To Keep On Your Radar)
 
River of Kings by Taylor Brown
Be Cool by Ben Tanzer
World, Chase Me Down by Andrew Hilleman
The Neon Lights are Veins by Nolan Knight
 
 
Whew! Congrats All Around. Happy Reading!!!